Firstly, to settle any optimism regarding my adoption of the local language – I do still have to use translation software for everything Korean. If the hangul in the title says something offensive, Google did it.
Once again, I have shamefully abandoned my post(ing) for something nearing a week and, again, this is due entirely to a mixture of laziness, preoccupation and phlegm – all of which I blame the pupils for. I shall, in future, attempt to manage the blog a tad more regularly, though I don’t want to fall into the Twitter trap of sandwiches and bowel movements for material.
Secondly but nonetheless foremost: we live in an unbelievably beautiful country. Over the last two-to-three-weeks our surroundings have done the whole Autumn/Fall bit by transforming colours, etc. – but there’s something about Asian countries and doing Autumn properly. Although very picturesque, I’m always a tad disappointed by the frequent combination of ‘orange leaves’ and ‘grey skies’ Britain offers around this time of year; in Namyangju, we’re surrounded by mountainous quilts of crazy reds, yellows, oranges and greens, and the trees don’t seem to shrivel and die with the leaves so much as have a fabulous makeover, darling.
Not to say we haven’t had our share of bucketing rain; rather than the gradual ‘dimmer-switch’ effect of English weather, it’s a black/white issue in Namyangju. If we wake up and it’s [sunny/rainy] outside, it will remain [rainy/sunny] for the majority of the day. This makes day-plans, or the lack thereof, significantly more straightforward – we’ve watched both Kill Bills, eight Family Guys and two David Attenboroughs this weekend.
In true spirit of All Hallow’s Eve, Meg and I edged our way to the Jinjeop Crew’s bash, rudely ignoring the faux pas of our self-isolation from anybody since our first week. There’s something to be said for the comfortable culture-shock between a world of noncommunication and a room filled with people who suddenly understand you; not to mention realising the increasingly Shakespearean gestures required for daily shopping are no longer necessary.
Being led primarily by American/Canadian expats, the party was fantastically different to anything I’m familiar with from home – in that it actually managed to maintain some form of structure without losing anything in the way of fun. In the spirit of the season, it was a Mad Men Murder Mystery party: a 60s-themed, alcoholic affair endeavouring to the period standards of misogyny and polite distrust (to clarify: this was the theme, not the actual atmosphere).
Think of something between Mad Men and Poirot; prior to the party, we had our own characters and stories to perform throughout the evening, which itself consisted of interviewing one another and forming intense character-oriented enmities. To demonstrate: a new face for me was a certain Sam Rios, with whom I got along famously. His alter-ego Melvin Ponce, however, I detested with a method-actor’s bile.
The key to the evening was that nobody actually knew if they were the murderer. My character, Cal Joyce, I knew to be having an affair at the time of the victim’s death. The murderer themselves? My beautiful wife, Juliet Joyce – as played expertly by Meg herself. Suffice to say, she was less than penitent.
Loathe though I am to be That Guy who thinks quoting Dylan is original (Bob, that is – not Thomas ), the times are indeed a-changing – as barely a month’s nature photography indicates. It’s suddenly impossible to find a wholly green bit of wilderness, and feels somehow like the year is carrying us away with it already. We’re meeting new people every week – while waiting for a (finally cancelled…) late-night bus we spoke with a Korean/Canadian gentleman, Joe, who reassured us with no uncertainty, ‘Hey, don’t worry. First time I try kimchi it tasted like s**t.’ Not that we are particularly averse to the stuff – it’s just comforting to know that we don’t have to like eating everything. Convenient, as the stores aren’t hugely picky about which bits people like to eat.
To pay respects to the rudely overlooked Mr. Thomas earlier, and to compliment any fears of insufficiency:
Don’t be too harsh to
these poems [this blog] until it’s typed. I always think typescript lends some sort of certainty: at least, if the thing’s bad then, it appears to be bad with conviction.